But there was something about seeing familiar faces in the audience (even behind masks), collectively breathing the same fresh air, and hearing Opera Philly’s fine orchestra respond to Maestro Corrado Rovaris’ downbeat that reinforced why I love this art form so much.ĭavid Fox: Yes to all of that. Opera Philadelphia, which is hosting a streamlined adaptation called The Drama of Tosca at the outdoor Mann Music Center, has been a leader in the United States with their dedicated streaming platform, which we’ve both covered at length on Parterre. I’m grateful, of course, that the pandemic hasn’t been starved for music I’d argue that symphonies and opera companies have adapted to streaming better than almost any other arts organizations. Cameron Kelsall: Before we put our critic hats on, David, can I gush for a moment? Last night, we attended our first live, in-person opera since March 2020, and I felt more overwhelmed than I expected-in the best possible way.
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